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Alle Konzerte in Stuttgart 20. 04. 2007 16. 04. 2002 08. 05. 2000 10. 07. 1995 29. 09. 1987 Norbert Baro last update 04. 02. 2007 |
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Review by Tommiy Brem Seeing Dylan is like going to the opera", I just told my wife who wasn't there last night. Going to the Porsche Arena, thinking about what kind of car Dylan might drive. People hand in their tickets, their jackets and when the bell rings, the show starts. A magnificent show with decent sound, although the electric organ and the violin were at times a little drowned in the mix. Absolute high point of the show for me was the rendition of "John Brown" with the oriental sounding interludes between verses. Closest to a "protest song" I have heard him do in years, but I haven't heard much. I love what he does with his voice these days, he seems to enjoy playing with the rattling and hissing, sounding a bit like the old Burroughs. Nice atmosphere. In the end I left happy knowing that it doesn't matter if Dylan plays at Porsche or at Woodstock, he is simply amazing. But could anyone tell me why he brought the "Oscar", sitting on stage at all times? (Bob Links) Review by Harald Meusburger Years back there were always songs which i didnt enjoyed during the concert and hoped they would end as soon as possible. Not on this show !! I cant name you one song that didnt sound right to my ears or bored me in any way. From start to end a very high level show. Did i mentioned that tom thumbs blues was a premiere for me? Again very good band work. I dont give a damn if Denny Freeman plays the riffs on this one or that one correctly or not as some reviewers mentioned. He is cool. See the setlist for the songs that were played. Without troubles i will remember tom thumbs, its allright ma, it aint me babe, sugar babe, all the modern times tunes, and of course tangled up in blue as real standouts for a long time. I cant help but i have to catch another show and must get a recording of this stuttgart gig soon. (Bob Links) |
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Review by Clemens Marin To hear him sing „Tomorrow Is Such A Long Time“ and „Forth Time Around“ in Stuttgart was in itself perfectly sufficient to make the show worthwhile coming. „Forth Time Around“ nearly made me cry. I never heard him sing so tender and intense, opening his heart for everybody („My back pages“ in Frankfurt had a similar but less strong effect). „Wicked Messenger“ was very hard and heavy in Frankfurt, with a touch of Patti Smith; and „Cold Irons Bound“ was fine in Stuttgart. (Bob Links) |
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Review by Peter Ottmann The audience is composed of all kinds of people and all kinds of ages. I was born in the 70s, and perhaps this is one reason why songs like Rolling Stone or Rainy Day are not really meaningful to me, although they seem to be successful this evening. My personal favorites of the show are the songs of Bob Dylan's new album, Time out of mind: The melancholic Love sick, Can't wait and Not dark yet really fit with his voice, and furthermore Dylan reduces them to their essential content instead of filling them with too much sound. I was also impressed by the acoustic It ain't me and Forever young and by another song during the encores I did not know. (According to the set list, it is called Not fade away). (Bob Links) |
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Bob Dylan Picture
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Bob Dylan Picture
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Bob Dylan ARTWORK
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Bob Dylan Picture
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