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n.B.u
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n.B.u
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Alle Konzerte in Hamburg 04. 04. 2007 24. 10. 2005 18. 03. 2003 17. 03. 2003 09. 04. 2002 28. 09. 2000 12. 06. 1998 13. 07. 1996 02. 07. 1995 23. 06. 1991 03. 07. 1990 31. 05. 1984 Norbert Baro last update 04. 02. 2007 |
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04. APRIL 2007
Hamburg - Colorline Arena
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Review by Schlewig - Holsteinische Zeitung Dylan und seine fünfköpfige Band verzichten auf jede Art von Show: Nach den ersten vier Stücken des zwei Stunden langen Konzerts zieht sich der kauzige Künstler hinter sein Keyboard zurück, wendet das unter einem Hut versteckte Gesicht ab und ignoriert sein Publikum mit gewohnter Beharrlichkeit - Pech vor allem für die Zuschauer auf den Rängen der rechten Seite, von wo sie nur den schmalen, gebeugten Rücken des berühmten Songschreibers sehen können. Nicht minder ungerührt bearbeiten Danny Freeman und Stu Kimball (Gitarre), Donnie Herron (Steel Gitarre und Geige), Tony Garnier (Bass) und George Recile (Schlagzeug) ihre Instrumente. Was dabei herauskommt, ist professionell heruntergespielte, aber streckenweise leidenschaftslose Musik. Vor allem bei rockigen Stücken verschwimmt die Musik zu einem akustischen Brei, in dem die einzelnen Instrumente untergehen. (DPA) Review by Wolfgang Strehl The color line arena seemed to be pretty crowded. Not sold out, but well enough. The mood was good. The band on stage was sometimes I think a little bit funny: everybody was stargazing at bob Dylan, what kind of idea he creates next. For everybody up there tries to keep up the songs. So it was sometimes funny. He had his hints. Sometimes he missed to fall in, waited another bar, and all the others up there have to be careful. (Bob Links) |
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ARTWORK
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24. OCTOBER 2005
Hamburg - CCH (Saal 1)
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Review by Rheinische Post Dylan ganz in Schwarz, schnörkellos spielend und ohne große Inszenierungen - das ist wie immer. Ins Auge stechend dagegen ist die Perfektion und die Routine, mit der er die Show inszeniert. Doch die Stimme kommt rau und hart wie eh und je, bei seinem berühmten Sprechgesang ist Dylan unverkennbar der Alte. Erst in der zweiten Hälfte steigert er das Tempo, jagen sich schließlich rasant die Soli seiner exzellenten Band. Wie gewohnt spielen Tony Garnier den Bass und George Recile das Schlagzeug. Review by Reinald Purmann "Tell me" with a first harp-solo in the stage center, a perfect "Lay Lady", a swinging "I don't believe you". Then all my favourites in an excellent row: "McTell"! "Tears of Rage"!! "Ain't Goin' Nowhere"!!! All big highlights tonight. For "McTell" Donnie Heron plays a thin, mercury banjo sound. On "Ballad of Thin Man" the curtain on the back wall was lifted, later on illuminated with stars. Dylan, dressed in black with a steelblue scarf, was in very good form, he was really singing, controlling his voice in a perfect way: "a simple twist of fff...ate..." The band is great, producing sometimes a hoping, jumping, swinging sound. "Aint Goin' Nowhere" for me was the absolute highlight. Standing ovations for a big show at 10.00 p.m.. Don't know how they will get better tonight in Berlin. (Bob Links) |
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ARTWORK
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18. OCTOBER 2003
Hamburg - Docks
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Review
by Stefan Flach As I said to a friend before the show: If he only played "Man in the Long Black Coat" a second time, I´d be glad and he could do anything he likes apart from this. So I really wasn´t looking for another "improvement" of the setlist by the addition of other not so often heard songs - I was thankful for what we´ve got on friday and - apart from the usual excitement - took saturday mainly as a supplement. (Bob Links) |
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ARTWORK
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17. OCTOBER 2003
Hamburg - Docks
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Review by Reinald Purman My conclusion: They are all in great form, Mr. Dylan at first. He concentrated on his key abilities: His own songs and words, his voice and a perfect band, who can do various styles. No one is missing here (with all respect to the great "Saxton Years") but there is a changing of the guard ! I saw Freddie Koella for the first time and he will add a lot to the music of this band. They have everything they need and will give you all a great time. Don't dare to miss...Greetings to Scholle, who knews it all. Waiting for Berlin. (Bob Links) Review by Stefan Flach Summer Days" In a way the song was the best thing the band did this night (and the following night too), Freddie - who went center stage for soloing - does such a great, great job on this song (Eyolf Ostrem already explained what makes his playing style so great earlier this week and I completely agree with him) that he is the star here, not Dylan. And it´s great to see that Dylan doesn´t to seem jealous at all, that he makes room for him. Anyway, the song brought the house down in many ways and likely it was the best piece of jam I ever heard in person. (Bob Links) |
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ARTWORK
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09. APRIL 2002
Hamburg - Alsterdorfer Sporthalle
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Review by James Strohecker OK, all a good, clean show so fat. No real surprises, right? Wrong. Bob led off with a wild, excited version of Subterranean Homesick Blues that had all the band members laughing and rocking throughout. I think they were as equally surprised as the audience to see Bob actually played it, and their collective fun just made it that much better. Wowee! Obviously, the top song of the show. (Bob Links) |
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ARTWORK
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28. SEPTEMBER 2000
Hamburg - Alsterdorfer Sporthalle
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Review by Mattias Davidson The performance was as `on´ as it gets from start to end. From the get-go there was this feeling that this could turn out to be another magic Muenster show just like in `96. One felt immediately that one wasn´t going to have to wait 8 songs until things would finally "klick" like in Hamburg a few days earlier but that rather things would pick up where they had been left off in Frankfurt, where Bob, in buyoant mood had heaped such praise on us, his german fans. (Bob Links) |
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ARTWORK
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12. JUNE 1998
Hamburg - Stadtpark
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Review by Carsten Wohlfeld Tears Of Rage: I was impressed that he attempted to do this complicated song on a night like this. Not surpringly he messed up the lyrics and at one point stopped playing guitar, one foot on the drum riser, doing absolutely NOTHING while Larry was struggleing to put in an emergency solo. Why Dylan did that will remain a mystery I guess. The harp solo that graced the Rostock version was missing, natch. (Bob Links) Review by Andy Carsten should check the facts before putting Bob down. He quite obviously wasn't the "grumpy old man" Carsten referred to. Bob was in obvious physical pain during "Tears Of Rage". That's why he stopped playing guitar and turned away from the audience. Bob's guitar technician ran up to him at this point and spoke to him obviously aware of Bob's pain. If Carsten is the seasoned Bob-Watcher he claims to be he should be able to distingiush between grumpiness and Bob being in pain. (Bob Links) |
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ARTWORK
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13. JULY 1996
Hamburg - Bahrenfeld Trabrennbahn
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ARTWORK
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02. JULY 1995
Hamburg - Stadtpark
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Bob Dylan ARTWORK
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23. JUNE 1991
Hamburg - Freilichtbühne Stadtpark
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Bob Dylan ARTWORK
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03. JULY 1990
Hamburg - Stadtpark
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Hardest to Find ARTWORK
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31. MAY 1984
Hamburg - St. Pauli Stadion
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Reviews By Günter Amendt Pressekonferenz mit Bob Dylan , Joan Baez und Carlos Santana 31. Mai 1984 von Günter Amendt |
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Bob Dylan ARTWORK
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