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21. OCTOBER 2009
Denver / Colorado - Magness Arena
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24. OCTOBER 2006
Denver - Fillmore Auditorium
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Review by Lynne Robinson The songs kept coming and got better and better. Shooting Star, Wheels and Masters, all incredible versions! Setlist aside and it was great, Dylan is still not gonna get pinned down - not by his new fans expecting to hear new songs and greatest hits, nor by old ones, like me expecting another, slightly modified version of the night before in San Diego. Expect nothing and expect to be blown away. It don't get much better than this out there on the Rock and Roll highway! (Bob Links) |
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29. MARCH 2005
Denver - Fillmore Auditorium
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Review by John Wood IF you heard somebody go nuts for 2 seconds into the next song, that was me. "John Brown" is one of the darkest and more intense stories in Uncle Bob's vast catalogue. More so, Uncle Bob was not a vocalist: He was a narrator, telling the story of John Brown in war, coming back home to his mother badly injured and never being the same, and depicting the virtues of war. The band's accompaniment was stark and rich, as Donnie's clawhammer banjo added a *deep* texture that gave the song that much more depth. Review by Barry G. I attended the recent "show" in Denver, Colorado--and for the very first time, I'm sorry I was disappointed. Bob's songs and delivery are always "special" and he still puts so much into each performance-- but somehow the "band" was not in sync, and not delivering the high quality of "tightness" and subsequent "power" that has previously drawn such a following of fans who are almost addicted to Bob's live performances. The show was still not one to miss, because--there was Bob. But, often, it looked like the band didn't know what cue to take next and there was a lack of "tightness" and "flow" to the musical backing, which, I felt, "minimized" the impact of a usually unforgettable Bob Dylan concert. (Bob Links) |
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28. MARCH 2005
Denver - Fillmore Auditorium
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Review by John Wood "Summer Days" also has a slightly new arrangement, but this one flowed more than rocked, with some softer textures that produced an elastic feeling. Although I miss those *killer* versions from the Larry Campbell-Charlie Sexton days, I appreciated the fact this band is trying different things with the song instead of sheer rocking out. (Bob Links) |
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26. OOCTOBER 2002
Denver - Pepsi Center
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Review by John Wood "Summer Days" also has a slightly new arrangement, but this one flowed more than rocked, with some softer textures that produced an elastic feeling. Although I miss those *killer* versions from the Larry Campbell-Charlie Sexton days, I appreciated the fact this band is trying different things with the song instead of sheer rocking out. (Bob Links) |
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21. OCTOBER 2001
Denver - Coliseum
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Review by Richard Ray The first song that knocked me down was "Sugar Baby". He leaned into that one. About that time it started to surface. His guitar playing. I have never appreciated his sparse lead playing before. I don't know if I can describe what I saw. With both his leads and the harmonica he seemed to be pushing into an area I saw Miles do in concert. He would find a little corner of the song, take it down to the very basic elements, lead the band out on the edge of a limb and dance there dangerously. He did this more and more as the concert progressed. (Bob Links) |
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06. APRIL 2000
Denver - Pepsi Center
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Review by Buteogalus@aol.com So what was my best moment? During the encore, when they played "Like a Rolling Stone" which is a personally significant song for me, while I sipped a nice cool white wine, then right into "Forever Young". It was an oasis of mellowness in a hard driving kind of concert. I'm not complaining about the excitment of the rest of the show, but it was that old feeling, for a moment, that I remember from his other shows, peaceful and warm. (Bob Links) |
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07. JUNE 1999
Denver -
McNichols Arena
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Review by Douglas Gertner Mr. Tambourine Man met Mrs. Robinson for just the third time last evening in a memorable performance that highlighted the contrasts of these two kindred yet very different survivors of the American Folk Music Revival. I am 18, and saw Dylan for the first time at the Fillmore in Denver. I am not old enough to fully understand what the hell happened that night, but it was awesome. I have seen Neil Young, the Stones, John Fogerty and Paul Simon in concert before, and Dylan was much much better. Despite his lack of showmanship, the variations in lyrics and musical form from his recordings made up for it. Maggies Farm was killer. The energy from the crowd is unlike energy I have seen at any other concert. With only 4000 people there, all Dylan fanatics, the feeling was intense. (Bob Links) |
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05. JUNE 1999
Denver - Fillmore Auditorium
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Review by Christine Consolvo We had heard that Paul Simon was in town and at the venue warming up in the afternoon. If you put your ear up to the crack in the door you could hear strains of music. Some vocals that were definitely Bob, other undiscernible vocals and some harp. At any rate, when Bob said he'd like to bring out a special guest, Paul walked out looking so teeny tiny. Bob *towered* over him. What a hoot! When I realized they were going to play Sounds of Silence I almost went comatose. Then I came to and likely hurt the poor young fellow who happened to be to my right. All afternoon I had been saying, "I thought this was supposed to be JUST BOB tonight. Sheesh!", but it was a moment to treasure. Bob did pretty well with the lyrics, but just kept much quieter than Paul and sang the whole thing with his lips all pouted out near the microphone. After the first couple of verses, Paul gestured with his hand to mouth going side to side...in other words, "play the harp now". Bob just shrugged his shoulders and went after a harmonica. So strange to see anyone directing Bob on stage! (Bob Links) |
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15. JUNE 1988
Denver - Fillmore Auditorium
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23. JANUARY 1980
Denver - Rainbow Music Hall
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22 JANUARY 1980
Denver - Rainbow Music Hall
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Bob Dylan ARTWORK
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21. JANUARY
1980
Denver - Rainbow Music Hall
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ARTWORK
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